Ntuple Indemnity

I’ve been neglecting this space for over two months. Unfortunately for my capacity to keep up with the world in written words, they have been two very interesting months. Had I posted a bag of links on a weekly basis—and this is already the laziest of projects, the most modest of ambitions I have ever had for this journal—the entries for the latter half of April and the first half of May could have been expended entirely on the British general election (with an inset for Thailand’s redshirt revolt) and still failed to capture the play-by-play thrills on the ground.

Somewhere along the way, I penned a dissertation of sorts, but let’s not talk about that. Here is the crust of readings that has built up in the meantime. There are more, but the list below was becoming rather overgrown and at some point I had to stop.

• Two of the great figures in things I care about passed away in May, both of them at ripe old ages after leading fulfilling lives: jazz pianist Hank Jones at 91; mathematical popularizer and Lewis Carroll expert Martin Gardner at 95. I came to both Jones’ and Gardner’s works late in life but quickly—very quickly—came to understand their immeasurable impacts on music and mathematics, respectively, which I had previously felt secondhand without being aware of it. More on Jones here and here; more on Gardner here and here.

• It speaks volumes for how long I’ve been away from saturating this page with hyperlinks that sitting atop the pile in my draft box is an ominous article by Dominic Lawson on David Cameron and Nick Clegg’s public-school upbringings at Eton and Westminster, written the week of the first televised debate.

• IBM has developed a Jeopardy!-playing computer. Observe the promotional video. From an AI perspective, this is orders of magnitude more exciting than Deep Blue, and takes us deep into Turing Test territory. I hope to say more about this should I find the time.

• One of the disadvantages of being in the United Kingdom—indeed, the most serious one I have yet encountered apart from the absence of fine, extravagant steaks—is that for the first time since 1998, I was unable to see a new Pixar film on or before the date of its release. Two Pixar films of note, in fact: Toy Story 3 and the accompanying Teddy Newton short Day and Night. That hasn’t stopped me from following the resurgence of coverage of Pixar’s process of perfection in this Wired piece and this interview with Lee Unkrich.

• Typesetting matters, folks. Just ask the consummate professionals behind these two book-size online resources: Typography for Lawyers, and LaTeX for Logicians.

• Everyone with an interest in the romance of modern international affairs has read it already, but Raffi Khatchadourian’s profile of WikiLeaks founder Julian Assange is an outstanding piece of storytelling, if also one that tends towards the making of myth.

• And while on the subject of journalism and international intrigue, here is the Rolling Stone feature on Stanley McChrystal that led him to be sacked from command in Afghanistan.

• Civilization V is on its way, but there’s still plenty to say about Civilization IV. Troy Goodfellow shares a letter from Christopher Tin about composing music for the game. Kotaku asks lead designer Soren Johnson about the mathematization of religion.

• Jeremy Parish reflects on this year’s Electronic Entertainment Expo (E3) and calls out much of the game industry for the creative bankruptcy of video game violence.

• Neil Swidey of The Boston Globe courageously explores the mind of the anonymous comment-box troll.

• As this year’s graduate session at Singularity University gets underway, The New York Times talks to Ray Kurzweil and gang about the posthuman lifestyle.

• John Naughton writes in The Guardian about what the Internet has really changed.

• England has been swept up in the pathos and misery of football fever, as usual, and one may as well get some World Cup readings out of the way before the Three Lions have truly met with yet another ignominious doom. (Or, preferably, they could win.) Tim de Lisle enquires into the origins of spectator sport’s global draw. And then there’s this article on the North Korean national team, published in timely fashion just before Portugal blanked them 7-0.

• Finally, the only thing that can stop this asteroid is your liberal arts degree.

I haven’t read the Internet in almost two weeks, thanks to my various globetrotting commitments. But never fear—these selections from early March are here.

• In a review of Mass Effect II, Jonathan McCalmont calls out video games for their uncritical acceptance of racial essentialism.

• A 1969 letter from Buzz Aldrin to a radio enthusiast offers some insight into the Apollo 11 spacecraft’s low-budget insulation.

• Jonah Lehrer draws on studies about primates and social hierarchy to express some concerns about the compulsion to count one’s Twitter followers and Facebook friends. (People do that? I don’t, but I sure like to comb through my website stats.)

• Finally, courtesy of Daniel Mendelsohn, a review of Avatar that says most of what I wanted to say about Avatar—and for good measure, puts it all in the context of James Cameron’s entire career.

• Patricia Cohen takes a look at the preservation of writers’ rough notes and scrap paper in a digital age, in which we discover that even Salman Rushdie is none too magniloquent to scrawl, “I am doing this so that I can see how a whole page looks when it’s typed at this size and spacing.”

• Also in The New York Times: a special feature on politics and the modern science museum. I’m not convinced that the agendas underlying science exhibits were any less varied or complex a century ago, but as a look at where things stand today the article is well worth perusing.

• The National Arts Centre in Ottawa is commemorating the great Oscar Peterson with a statue to be unveiled 30 June. Please make a contribution.

• And while on the subject of jazz, Peter Hum criticizes the notion that musicians should contrive to make the genre culturally relevant—whatever that means. My preference, as always, is for art that strives for timeless resonance over fashionable gratification. That some things feel like one, and other things feel like the other, is not well understood and worthy of investigation.

I don’t follow American football whatsoever and would probably be unable to name any former or current NFL player that hasn’t been involved in a highly publicized criminal investigation, but you don’t need to know football to enjoy the Super Bowl pieces in McSweeney’s. The two that stuck out for me, both from a few years back: “NFL Players Whose Names Sound Vaguely Dickensian, and the Characters They Would Be in an Actual Dickens Novel” and “Famous Authors Predict the Winner of Super Bowl XLII”.

This week’s bag of links:

• In a rare sighting of the man behind Calvin and Hobbes, Cleveland newspaper The Plain Dealer interviews Bill Watterson fifteen years after the legendary comic strip ended its run.

• Peter Hum ruminates on the “ugly beauty” of avant-garde jazz.

• The big news coming out of Barack Obama’s 2011 budget was the abandonment of NASA’s plan for the resumption of manned spaceflight to the moon. SPACE.com has the analysis.

• Jonathan McCalmont, caught between the debate over high/low culture and his vehement dislike of the popular video game Bayonetta (“a game so dumb that it makes a weekend spent masturbating and sniffing glue seem like an animated discussion of Wittgenstein’s Tractatus Logico-Philosophicus (1921)”), spun it all into a compelling essay on hypnotism and lowbrow art.

• This Charles Petersen piece in The New York Review of Books is one of the better histories you will find of where Facebook came from and how it has transformed, and offers a thorough look at the content-pushing pressures facing the social-network model of a nominally private Internet.

• Mark Sarvas identifies some common problems of debut novels from the perspective of a prize-committee veteran.

• In The Guardian, Darrel Ince implores scientists who rely on internally developed software to publish their source code.

In a way, the media frenzy over the death of J.D. Salinger can be understood as a kind of cathartic relief—i.e. now that he’s croaked, we can finally talk about him without feeling like we’re intruding on something. It has, at least, made for some very good reading about one of literature’s most enigmatic figures. Rather than collect the obituaries myself—I haven’t had time to read them all—I’ll link to the links at Bookninja here and here.

Serious aficionados should take a look at this 1957 letter by Salinger explaining why he saw The Catcher in the Rye as unfilmable. Really dedicated junkies of all things Salinger may even go as far as perusing Joyce Maynard’s 1972 article, “An 18-Year-Old Looks Back On Life”, which led her to drop out of Yale and live with the author for a year. (I personally find it nigh on unreadable, but it’s evidence that the cliché anxiety about settling down with 2.2 kids has been around for nearly four decades at least.)

And now for something completely different:

• How to Write Badly Well is consistently superb, but Joel Stickley has really outdone himself with this legitimately amazing poem.

• Alex Abboud previewed the new Art Gallery of Alberta, which opened its doors this weekend.

• Juan Cole speculates that Osama bin Laden is probably dead and has ceased to be relevant even if he is alive.

• Ethan Iverson makes the case for extravagant public funding of Wagner’s Ring.

• This weekend’s New York Times Magazine featured a marvelous piece by David Hajdu on AIDS survivor and phenomenal jazz pianist Fred Hersch.

• Those interested in the history of computer games will appreciate this Wired article on how perfectionism killed Duke Nukem Forever, the most infamous piece of vapourware in software history.

I read too much and write too little. This has made it difficult to keep this space current and engaging, something that I sought to remedy with a weekly book review until other commitments started getting in the way. The book feature will return as soon as I can manage it and for as long as I can help it; but until then and going forward, I will content myself with regularly sharing some links to pieces that may fascinate the sort of people who come here in the first place, as they certainly fascinated me.

Up to this point I have typically refrained from aggregating news and commentary from elsewhere without any reply of my own, but I would rather pass on insightful reading material free of comment than never have it reach you at all. At the very least I hope to introduce some of you to the many excellent blogs and journals I follow.

Some recent highlights:

• Jonathan Crowe of The Map Room has continuing coverage of how geographers have responded to the devastating earthquake in Haiti.

• Brendan Wolfe wrote a comprehensive Wikipedia article about early jazz cornetist Bix Beiderbecke and ran afoul of quality-control standards gone awry. (via Jacket Copy)

• My good friend Melissa Priestley, who recently penned a book about Canadian wine, doesn’t like her bottles corked.

• Jazz drummer Tim Shia to Toronto City Councillors and media: shut up during the performance and learn how to tip. (via Jazzblog.ca)

• Steven Shapin reflects on the Darwin bicentennial celebrations of 2009 in an article eerily reminiscent of a seminar I was in last term.

• At On the Human, Michael Allen Gillespie makes the case for science as an intentional conscious activity like the arts.

• Melanie Bayley, who presented her research at a symposium I attended in October, published a delightful article in New Scientist on mathematical debates in Alice in Wonderland.

• Edmonton Symphony Orchestra director Bill Eddins explains his statement, “In order to understand Beethoven you have to play the piano. And in order to play the piano you have to understand Beethoven.”